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July 15, 2010
Photo  Glyn Maxwell
Glyn Maxwell’s poetry is noted for its everyday vocabulary, used in tight metrical forms. His work is often concerned with the individual’s relationship to the community, expressed through narrators who are either outsiders or isolated within a group. In ‘The Play of the Word’, the narrator remembers the story of an unnamed ‘her’ — an outsider who stays in town for a short while, before she is forced out for not showing due respect at a religious play. However the narrator also seems to have been dislocated from his community by guilt, sympathy with ‘her’, and his new questioning of the society’s rules. 


July 15, 2010
Photo  Mario Petrucci

Mario Petrucci is a prolific and powerful poet, known for his themed collections that explore love and loss, scientific consciousness, the natural world and the complexities of warfare. 

His poetry is often situational, taking inspiration directly from a key historical site, such as Southwell Workhouse in the volume Fearnought, or the region around Chernobyl in Heavy Water and Half Life. Ecology features prominently in his work, and Flowers of Sulphur is (among many things) a meditation on, and warning about, climate change. In the war poems, Petrucci often bears witness on behalf of the victims of atrocities, or flips the perspective, as in ‘The Confession of Borislav Herak’ (Shrapnel and Sheets) where he speaks as the war criminal.



July 15, 2010
Photo  Paul Farley
Farley’s 2009 collection, Field Recordings, is a substantial gathering of poems originally commissioned for BBC radio. The book was  shortlisted for the inaugural Ted Hughes Award for New Work in Poetry. Farley champions radio as the most creative medium to work in: “You will never do anything more collaborative, as a writer, than make a piece of work for broadcast. The medium is intrinsically collaborative.”

POETS FROM UNITED KINGDOM